Canon EOS 40D Review

Review Date: September 22nd 2007

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Page 1
Introduction / Ease of Use
Page 2
Image Quality
Page 3
Sample Images
Page 4
Design
Page 5
Specifications
Page 6
Conclusion

Image Quality

All of the sample images in this Review were taken using the 10 megapixel Fine JPEG setting, which gives an average image size of between 3-5Mb.

Noise

There are 6 ISO settings available on the Canon EOS 40D which you can select at any time. The 40D offers an ISO range from 100-1600, plus an extra ‘HI’ setting corresponding to ISO 3200. Noise does increase with higher ISOs, but the quality holds up very well. Here are some 100% crops which show the noise levels for each ISO setting:

ISO 100 (100% Crop)

ISO 200 (100% Crop)

   

ISO 400 (100% Crop)

ISO 800 (100% Crop)

   

ISO 1600 (100% Crop)

ISO 3200 (100% Crop)

   

Sharpening

Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The 40D’s JPEGs are not as sharp as its RAW files. This seems to be a characteristic of EOS SLRs in general, and can be annoying. It’s not obvious, though, except in areas with finely-textured detail. JPEGs improve with sharpening, but not enough to make up the difference.

Original (100% Crop)

Sharpened (100% Crop)

   
   

RAW Format

The Canon EOS 40D enables users to capture both JPEG and RAW format files. We've provided a few RAW samples for you to download and evaluate.

Download Example #1
Download Example #2
Download Example #3

Chromatic Aberrations

The Canon EOS 40D's 18-55mm kit lens handled chromatic aberrations excellently during the review, with barely perceptible levels of coloured fringing mainly present around the edges of objects in high-contrast situations, as shown in the example below.

Example 1 (100% Crop)
 

Macro

The close-focusing ability will depend on the lens fitted to the Canon EOS 40D, but the humble 18-55mm kit lens can focus remarkably close, and at full zoom it’s capable of shooting close-ups as well as most compacts. The first image shows how close you can get to the subject in Macro mode (in this case a compact flash card). The second image is a 100% crop.

Macro Shot

100% Crop

   

Flash

The flash settings on the Canon EOS 40D are Auto, Manual Flash On/Off and Red-Eye Reduction. These shots of a white coloured wall were taken at a distance of 1.5m. The flash coverage is pretty good, though at the wideangle setting it’s possible to see a degree of shading caused by the lens barrel when the picture is compared to the one taken without flash. This effect disappears at longer focal lengths.

Flash Off - Wide Angle (29mm)

Auto Flash - Wide Angle (29mm)

ISO 64
ISO 64
   

Flash Off - Telephoto (88mm)

Auto Flash - Telephoto (88mm)
ISO 64
ISO 64
   

And here are some portrait shots. There’s no redeye in either shot, even though one was taken with the redeye function switched on and one with it switched off. The pop-up flash is further from the lens than it would be with a compact camera, and this helps minimise any redeye effect.

Auto

Auto (100% Crop)
   

Red-eye reduction

Red-eye reduction (100% Crop)
   

Night Shot

The Canon EOS 40D's maximum shutter speed is 30 seconds and there's a Bulb mode for even longer exposures, which is excellent news if you're seriously interested in night photography. There’s no sign of noise or ‘hot pixels’ even during night shots of several seconds. With longer exposures like these, the Canon EOS 40D takes a second ‘dark’ shot to show up any wayward pixels so that the camera can process them out. The shot below was taken using a shutter speed of 13 seconds, aperture of f/8 at ISO 100. I've included a 100% Crop of the image to show what the quality is like.

Night Shot

Night Shot (100% Crop)
   

Overall Image Quality

It’s hard to see any significant difference between the pictures taken by the Canon EOS 40D and those taken by the cheaper 400D model, although the results do seem particularly clean and saturated, so it’s possible Canon’s improved image processing system is making a difference. It’s annoying, though, that the JPEGs produced by this camera show the same slight softness as those generated by other EOS SLRs. The camera only shows the definition it’s capable of if you shoot RAW files and process them in the Digital Photo Professional software provided or some other RAW conversion program. Even so, the overall quality is on a par with other cameras in this price range. The Canon EOS 40D’s Highlight Tone Priority mode is designed improve the highlight rendition – digital cameras are often accused of producing harsh or ‘blown’ highlights with no detail. It does make a difference, but you have to look quite hard to notice it, and it’s not really any kind of breakthrough. The exposure system is very good indeed, and the multi-pattern metering reliably produce great shots with no user intervention. The same goes for the auto white balance, which even worked well in artificial lighting. Of course, if you want precise and predictable colour, it’s still better to work with the white balance presets.

Page 1
Introduction / Ease of Use
Page 2
Image Quality
Page 3
Sample Images
Page 4
Design
Page 5
Specifications
Page 6
Conclusion

DIWAPhotographyBLOG is a member of the DIWA organisation. Our test results for the Canon EOS 40D have been submitted to DIWA for comparison with test results for different samples of the same camera model supplied by other DIWA member sites.

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